In Go Down,Moses,( )illuminates the problem of black and white in Southern society as a closeknit destiny of blood brotherhood.
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福克纳的小说大多取材于美国南方,在《下去吧,摩西》一书中,作者想多着呈现的是美国南方黑人和白人的各种社会冲突,精神冲突等。
In Go Down,Moses,( )illuminates the problem of black and white in Southern society as a closeknit destiny of blood brotherhood.
福克纳的小说大多取材于美国南方,在《下去吧,摩西》一书中,作者想多着呈现的是美国南方黑人和白人的各种社会冲突,精神冲突等。
William Faulkner once said that( )is a story of “lost innocence, ” which proves itself to be an intensification of the theme of imprisonment in the past.
福克纳的小说《喧嚣与愤怒》被称为是“丢失的童真”,因为作者在书中通过对孩子的描述,想人们传达的却是美国南方从过去到现在的衰败。
In 1950,( )was awarded the Nobel Prize for the anti-racist Intruder in the Dust.
福克纳是典型的美国南方作家,他的作品多涉及南方的种族问题,主要反映在种族歧视下,南方黑人的生活。正是因为如此,他才获得了诺贝尔文学奖。
The( )Age of the 1920s characterized by frivolity and carelessness is brought vividly to life in The Great Gatsby.
斐茨杰拉德的作品,通过对20世纪20年代的上层社会的年轻人的描写河刻画,很好的体现了爵士时代的时代特点。《了不起的盖茨比》是其代表作,同样也反映这一主题。
William Faulkner set most of his works in the American( ),with his emphasis on the( )subjects and consciousness.
福克纳被称为南方作家,他的作品主要关注南方的衰败,以及南方的种族问题。
The effect of Darwinist idea of “survival of the fittest ” was shattering in() ’s fictional world of jungle,where “kill or to be killed ” was the law.
德莱塞是美国自然主义作家的杰出代表,受达尔文进化论中“物竞天择,适者生存”的影响,其作品中体现了弱肉强食的原则,《嘉莉妹妹》就是典型的此类作品。
Ezra Pound,a leading spokesman of the “( ) ”,was one of the most important poets in his time.
意向主义是美国文学发展到现代时期的一个流派,在这个流派当中,以庞德的成就最高。
In most of his writings,( )deliberately broke up the chronology of his narrative by juxtaposing the past with the present,in the way the montage does in a movie.
福克纳的写作风格和技巧可以说是独树一帜的,他把电影制作中得蒙太奇手法应用到小说写作中,结合意识流派的风格,使得他的作品能够让读者很容易就感受的主人公的悲欢。
Robert Frost is generally considered a regional poet whose subject matters mainly focus on the landscape and people in( ).
美国作家中有很多人的作品都是有着重点关注的地区的,如,马克.吐温的密西西比河流域;福克纳的南方体裁等等;弗罗斯特关注的是新英格兰。
The attitude towards life that( )had been trying to demonstrate in his works is known as “grace under pressure ”.
“压力下的优雅”正是海明威要成功塑造的人物性格,海明威曾极力将自己笔下的主人公塑造成这个样子。
Man is a “victim of forces over which he has no control. ” This is a notion held strongly by( ).
德莱赛是美国自然主义流派的代表作家,在他看来,人的罪恶是源于无法自控的本能的。